Showing posts with label Ted Nichols. Show all posts
Showing posts with label Ted Nichols. Show all posts

Thursday, March 26, 2026

Ted Nichols Chimes In

Earlier this month, it was reported that Ted Nichols, the musical mastermind behind shows like Scooby-Doo and more, had passed away in January. I put out a post last week discussing his career, and now, we'll read some words from the man himself. The article below appeared in the April 1st, 1978 edition of The Oregonian. It's a good walkthrough of Nichols' career up to that point, including discussion of his early life, his Hanna-Barbera days, and his opera work.


Opera Plays Portland

By Velma Clyde

    If your name were Theodore Nicholas Sflotsos, and you were a musician who wanted to become known as a composer, what would you do?
    Probably what he did, change his name to Ted Nichols. Then, after a stint in the Air Force, where he was commanding officer of the band school maintained at Sampson Air Force Base in New York, he moved to Hollywood.
    "Anyone who wants to become known as a composer must have a base in either New York or Hollywood," he said in an interview. "I chose Hollywood."
    Nichols' "Pilgrim's Progress," which he calls a chancel opera, was first presented in 1976 in Helsinki, Finland. It has been shown on the West Coast and will be presented in Portland at 8 p.m. Saturday night in the civic Auditorium, sponsored by the Christian Supply Centers.
    Nichols grew up in Spokane, Wash., and spent 20 years writing and composing in Hollywood before moving to Portalnd, where he is director of music and creative arts at Western Conservative Baptist Seminary. 



    "I want to teach and I want to write and that is exactly what I am doing," he said.
    Nichols said he was about 18 years old when he decided he would like to work in religious film making or composing. After receiving his bachelor's degree from Baylor University in Texas, he did graduate work at several universities before heading for Hollywood.
    "To make it in film scoring you have to be in New York or Hollywood ant it was in 1968 that I started to write some religious films for such organizations as Campus Crusade for Christ, World Vision International and two Billy Graham films," he said.
    It was while serving as music minister for the huge Church of the Open Door in Los Angeles that he hooked up with Hanna-Barbera Television Productions.
    "One of the cartoon animators, who worked for Hanna, started to sing in the choir adn he introduced be to Bill Hanna," said Nichols. "At that time they were doing a show called Jonny Quest for CBS. Hanna asked me to write some music for this show and they liked it and I kept writing."
    "Then they asked me to do the Flintstones Christmas special," he said. "The Flintstones was the first adult cartoon television show and it caught on like nothing has ever caught on before or since. People still love the series because of the adult humor." Nichols did the music on that series and about 50 television shows.
    Before he composed "Pilgrim's Progress," from the bookg written by John Bunyan in 1678, he visited Bedford, England, where Bunyan had spent 12 years in jail for criticizing the Church of England. The custodian of the place Bunyan was jailed showed Nichols many details of the Englishman's life.
    "Bunyan was a real renagade before he was converted," said Nichols. "In composing the production, which I call a chancel opera, since I wrote it specifically to be done by the church choirs, I had to pick key points in Bunyan's book. I tried to use his philosophy and to bring it out in the opera."
    Nichols says he finds life in Portland much less hectic than he did in Hollywood. He said he usually does his composing in his living room.
    "At one time my wife, Doris, played cello, but she decided one musician in the family was enough. I think she was right," he said before noting that his eldest of two sons has a music group in Southern california and his daughter is a music major at George Fox College.
    He said his energy peaks at night at it is not uncommon to see him jogging around the streets around midnight. "I have to keep fit and late at night is the best time for me to run," he said.
    "Some people like to golf, some like to play tennis, others fish or swim or play basketball," he said. "My recreation and enjoyment comes from composing. I love to conduct programs and I love to write music."

If you'd like to know more about the work of Ted Nichols, Greg Ehrbar put out an article on his Hanna-Barbera compositions for Cartoon Research. The Hollywood Reporter also put out a report on his passing on Monday. Both are great reads that I definitely recommend giving a look.

Monday, March 16, 2026

Ted Nichols: 1928-2026

 Hoyt Curtin may have been the first composer for Hanna-Barbera's cartoons, but he wasn't the last. After Curtin left the studio in 1965 due to frustrations over residuals, another musician by the name of Ted Nichols took his place. From '65 to '72, Nichols composed the music for shows like Scooby-Doo, Josie and the Pussycats, Space Ghost, and many more. Though the quality of the shows is debatable, Nichols' arrangements proved to be every bit as catchy as his predecessor. You'd be hard-pressed to find someone who doesn't know the Scooby-Doo theme song. 

It is with deep sadness that I inform you that Ted Nichols has passed away. He died on the ninth of January at age 97, though news of his death wasn't reported until this month. 


Born in Montana on October 2nd, 1928, Nichols' life took him many places, including time in both the Navy and Air Force. Above everything else, his passion for music was a constant in his career. He was a band director at numerous schools and also sang for Disneyland. Around 1963, he met an animator who worked for Hanna-Barbera, and after a phone call with Bill Hanna, he was writing cues for Jonny Quest. That kicked off an almost decade-long partnership between Hanna-Barbera and Nichols, seeing him compose music for virtually all Hanna-Barbera productions made in that time. 

In 1972, Nichols decided to leave Hanna-Barbera, and he moved towards working on religious projects and operas. Hoyt Curtin would return to take his place. Ted continued his musical career until around 2014, well into his eighties. The last project I found his name attached to was a Christmas choir performance in December of that year. The final opera he composed music for, titled Rendezvous with Destiny, premiered in 2012. To say he enjoyed composing and directing would be an understatement. 

Though Ted Nichols is no longer with us, his legacy will endure through the many compositions he brought to life, both for Hanna-Barbera and elsewhere. My thoughts are with his family and friends during this difficult time.